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We are very excited to announce the remix contest of the track “Hearts Unspoken – Michael Angelo feat. Melissa Loretta”. Download the remix pack and participate with your own remix entry.
MICHAEL ANGELO FEAT.MELISSA LORETTA – HEARTS UNSPOKEN
REMIX CONTEST RULES
NO PURCHASE NECESSARY
The name of this contest is Michael Angelo feat. Melissa Loretta – Hearts Unspoken Remix Contest (“Contest”). The participating label for the Contest is HighLight Records. All entries must be sent via email to info [at] highlight-records.net with a private soundcloud link of the remix between February 22, 2016 and April 22, 2016 by 11:59 PM MT.
Public soundcloud links of the remix tracks are not allowed. Remixes found to be public will be removeded from the remix contest.
First Winner: 100 euro + remix will be released with the original mix on HighLight Records
Second Winner: one sample pack of his/her choice from HighLife Samples + remix will be released with the original mix on HighLight Records
Third Winner: remix will be released with the original mix on HighLight Records
All winners will not have any extra royalties from the track release.
Winners to be announced on the HighLife Samples website at 31 of April
Download Free Sounds! for your Music Productions
HighLife Samples offers a variety of free downloadable Sample Packs for your music productions.All Sample Packs are 100% royalty free.
Download Free Sounds for your music productions
You can find midi files, construction kits, DAW projects,drum hits and many more.
What was once an advanced engineering technique is now ubiquitous. Learn how to mix compressed and uncompressed signals to fatten up your sounds With Computer Music Plugins
Parallel – or ‘New York style’ – compression is excellent for adding density to a sound while retaining transient response in a way that normal compression doesn’t. The technique involves using a (usually, but not always) hyper-compressed version of the signal mixed with the original dry feed, allowing average volume to be increased without compromising the transient snap of the original sound. It can be done by using any compressor on a send/return channel, or a compressor equipped with a wet/dry control directly on the sound’s channel itself.
Typically, the compressor should be set to the fastest attack time and slow release, with around 10dB of gain reduction showing at the dry signal’s loudest points. Adjusting attack/release times and the ratio can change the feel of the compression, as can using different compressor models – the average bundled DAW compressor will likely give clean, straightforward results, whereas something like a UREI 1176 emulation can add more ‘bite’ and drive.
Additional processing can be used on a parallel compression send to shape the sound; examples include rolling off high frequencies with a low-pass filter to add bass weight, and using distortion to give the whole sound more aggression. You can even set up multiple channels of parallel compression, each designed to contribute a different quality (eg, snap, body, low-end oomph) to the sound, and blend them as needed.
Step 1: Let’s check out parallel compression techniques. In your DAW, import your wav file. You can apply parallel compression using either a compressor with wet/dry controls directly on the channel, or any compressor on an effects send. We’re using a send for its superior flexibility.
Step 2: In the mixer, add a new return channel, turn it down to -15dB, and insert Computer Music SunRuys CM plugin. Send the BreaksLoop channel to the return at 0dB. We’re using Logic for this, and send/return channels may work differently in your DAW, so consult your manual if you’re not sure how to do it.
Step 3: Set SunRuys CM’s Attack to its fastest setting, Release to around 60% and Ratio to 4:1. Then adjust the Threshold to around -15dB until the compressor shows around 10dB of gain reduction. The parallel signal is now heavily compressed – the transient has been squashed, and the sound of the original audio has been thickened.
Step 4: The original audio lacks some density in the high frequencies – we can filter the parallel send to fix this. Add Computer Music’s Satson CM after the compressor and set its High Pass knob to around 2 o’clock. The high frequencies are now filled in without bloating the lows. Also, try turning the saturation on/off with the bottom-right switch – great for adding character.
Underground Techno it’s an inspiring collection of royalty free Techno samples that features over 163 samples including Drum Loops, Basses, Synths, Vocals, Kick Drums and MIDI files.
This pack is suitable for producers which looking for a collection of underground Techno.
At this packs you get the best of both worlds with both .WAV and its respective MIDI file.
All the parts have the corresponding MIDI file for full flexibility.
All files and folders have been labeled with midi note key and BPM information for easy identification.
• 101 x Drum Loops 125bpm
• 10 x Cinematic Vocals
• 15 x Kicks in key
• 18 x midis
• 19 x Bass and Synth Loops 125bpm